|
Plaids,
cushions, trimmings: New textile furnishing complements
The
furnishing complement, understood as plaids, cushions and trimmings,
has in recent times been subjected to an accelerated search for
modernity and up-to-dateness that has no comparison in the world
of textiles. Above all it is in the three sectors mentioned where
the most interesting results have arisen.
Starting
with the plaids
Besides
new technical solutions in spinning and the use of ever-more noble
raw materials (once reserved for blankets) such as cashmere or alpaca,
the plaid (increasingly as living-room throws and therefore not
only used as laprugs to keep ourselves warm but also as a feature
item of personalisation) is increasingly "in", thanks
especially to colour. Intense tones, fading shades, games with dyes
and nuances, are what it is all about, in a self-pursuance of spots,
stripes, and in some cases true reproductions of ancient prints
or perfect, high-resolution jacquard patterns that have pushed the
plaid ever-more into the world of furnishing complements. The cushions
on the other hand ... ... have followed a different path, though
arriving at the same destination.
Starting
off from the colour (with collections that even counted on 100 different
tones), in the last two years technical solutions have developed
(sometimes also very simple but having a sure effect, such as beads
sewn on to both sides) that have increasingly transformed them into
a decorative article. It is ever easier in fact to see the cushions
scattered over living room floors as true furnishing items, while
just a few years ago they were rigorously positioned on sofas or
armchairs.
Things
are different again with the trimmings
Great
efforts have been made from the point of view of stylistic tendencies,
with some simpler collections created; linear even from the chromatic
viewpoint. Precisely because the braiding has increasingly to match
innovative fabrics, the research has moved towards simplicity, refinement,
abandoning the path of opulence so as to embark on the
one of stylistic sobriety.
|